Songs and dances in Zambia: mashabe

Songs and dances in Zambia: mashabe. Mashabe possession was a highly valued type of healing, problem solving possession that disappeared in the first half of the 20th century.
Little is known anymore about Mashabe possession, songs and dances.

An old Mashabe song as remembered by Mika Mwape Chungwa, 1986.

Text of Song 102 Me, the Nsenga

Tanje twimbemo cifuto cimo, ne munsenga
Tanje twimbe lwa ku ba Maili, ne munsenga

Let’s first sing in this one musango, me, the Nsenga
Let’s first sing like Maili does, me, the Nsenga

Like the references to the Lenje region and culture in many Mwami songs, this song refers to the Nsenga region and culture, the region from which Mashabe came to Chibale. It seems to be a song announcing the possessing spirit, much like the Mwami song in the story about Chisenga becoming a spirit-possessed. In general, cult of affliction members are more likely to sing this type of song than shing’anga or specialists in a local, central cult.
Maili may refer to the man from the ruling Nyendwa clan who went to the Nsenga and Chikunda regions, see Stefaniszyn (1974: v).

Songs and dances in Zambia: mashabe. The mashabe dance consisted of short, rapid steps to shake the nsangwa.

Oral notation of mashabe drum and nsangwa patterns as remembered by Mika Mwape Chungwa, 1986.

First drum: nyinankonshi cilupaula
Second drum: tibili tibili tibili
Third drum: mbilindeng mbili – mbilindeng mbili – mbilindeng mbili

First drum: the mother hartebeest goes staggering
Second drum: vocalisation of drum sound
Third drum: vocalisation of drum sound

After the song follows a short impression of the nsangwa sounds of Mashabe.

IJzermans, Jan J. (2025) Amalimba. Music and related dance, text & ritual in one African region. https://amalimba.org/songs-and-dances-in-zambia-mashabe/

TEST