Musical instruments in Zambia: Chibale

A collage of musical instruments in Chibale, Zambia.

Musical instruments in Zambia: Chibale. Zambia has a variety of musical instruments. But what about that if you look at musical instruments in one region of Zambia?

During the research (1981 until 2013) in Chibale2The research for the articles about musical instruments is presented in Ways of working for description., we came across 67 names for 51 distinct musical instruments.
In this series of articles on musical instruments in Chibale, you will find descriptions of all these musical instruments. At the bottom of this article, links to all descriptions are given.

There is no classification covering the whole range of musical instruments. In some cases type names are used to denote a range of similar instruments, see here.

Words for musical instruments

Musical instruments in Zambia: Chibale. The general term for musical instruments is malimba, the plural of ilimba (one-note xylophone). When asked to give another word, many will say something like fintu ifyakulisha mu nyimbo, literally: ‘things that are made to cry to songs’ or less literally: ‘things to play along with/accompany songs’. Kulisha is the causative form of the verb kulila: cry, mourn, sing mournfully, sound, shout. Kulisha refers to any action leading to musical sound production, except for singing which is called kwimba or kulila. The stem -limba means to work with energy, be firm3Also in Nurse (1970:34f) for the Chewa region., plant and shout or speak provokingly.4See the text of the 38th song brought at the Ipupo at banaNshimbi‘s for the use of -limba, in the word kambalimbe, in this sense. The verb kulila refers to the sound of a musical instrument. Kalimba kalila: the kalimba sounds.

Fluctuation in the use of musical instruments

Musical instruments in Zambia: Chibale. In the period of the research (1981 until 2013), the general trend was a decline in the use of musical instruments. Within this general trend, there is considerable variation depending on the instrument and the specific time span within the period.
To give you some examples. A revival of spirit possession from the mid-1970s until the mid-1990s led to an increase in interest in the conical drum ensemble. Starting in the 1990s the use of cultural heritage in identity formation gave rise to the resurgence of ilimba (one-note xylophone) music. The development of Kalindula led to the introduction of new instruments and instrument uses. The rise of choir singing in some christian cults also led to new instruments and new voice and instrument uses. In most cases, foreign music went through a process of chibalisation. Among other things, this included a greater number of drums and more intricate drumming (from a Chibale perspective).

Instruments from outside

Foreign instruments were rare and, except for the guitar, still are. In the 1980s, we came across one guitar and one concertina, listen to Song 159. Guitars have become more prevalent in the 2000s. In Serenje District, guitars have a longer tradition than in Chibale, see Guitar playing in Serenje District.

An overview of all musical instruments

Musical instruments in Chibale, Zambia. We encountered 51 different instruments for which 67 names were used. In the 1980s, 13 instruments (with 18 names) were frequently played, 10 (12 names) occasionally and 15 (21 names) rarely. Thirteen (16 names) were not played anymore. For most of these, the occasion at which they were used changed or fell into abeyance. Some of the instruments had to be drawn at our request because no specimens existed. In the 2000s, all instruments were played less frequently, except for the drum which was used more often than in the 1980s.
There are 16 instrument names that are, or before the 1980s had become, synonymous with the name of one of the other instruments. It is not unlikely that in the past the synonymous instruments were the same instruments played by different owners or in different contexts. Or that they were (slightly) different instruments once.

For information about a specific musical instrument, click on the name in the overview below.

Frequently played musical instruments

Babatoni, also cimbombo and ndindula    large string bass

Banjo    banjo

Cisekele, also isebe    various types of rattles

Ilimba    one-note xylophone

Kankobele    lamellophone, low key in the middle

Kutota mapi    handclapping

Lumpundu    ululating

Masamba    dancing skirt mediums

Musekele    rattle used in kalindula

Ngolwa, also ndubulula    ocarina

Ngoma    drums of various types

Nsangwa, also nsombo and nsenselo    ankle rattles mediums

Occasionally played musical instruments

Cinyenye    horn kazoo

Ciwaya, also mataba pa mbale    maize on a tray

Kameme    kazoo

Mukonkonto    sticks to accompany drumming

Muloshi    whistling

Musebe    specialists’ rattle

Mutolilo    flute, general word for flutes

Ndibu, also lubendo    small bells worn by dancers

Nsangwa kwa kuboko    arm rattle

Pintu    whistle

Rarely played musical instruments

Cimwimwi, also cimwimwi ca musowa wa nkalamo    bull-roarer

Guitar     guitar

Kalimba kamaswao    lamellophone with fixed resonator in which iron jinglers

Kantimbwa, also cintimbwa    musical bow

Kodeoni    concertina

Lindya, also ntandangoma    humming top

Lumbeta, also lupenga    (signal) horn

Lusonsolo    iron bell used in chiefly cult

Mabotolo    bottles played on the ground

Mikoci, also minkobele    struck iron rattles (also tusembe)

Mutungu    small gourd played on the ground

Ndandi, also ndimba    lamellophone

Ngolwa ya muminwe    ocarina played on the fingers

Nsanshi    small, round rattle

Tusembe    struck axe blades

Musical instruments not currently in use

Bulimba    larger xylophone

Cimwimwi ca ku kaole, also ngoma ya bukali and ngoma ya buloshi    friction drum

Itumba, also litumbu    drum for mbeni

Mangu    chiefly drum

Mankubala    set of three wooden boats

Manyema    board zither

Musumpiti    gourd drums

Mutole    transverse flute

Mwimbi    drum

Myuba    bellows

Namukalapanda    rattles on a stretchable string played by mediums

Nsapa    master bellows

Peku    pan flute

 

See also

And read the articles about

the familiarity of all these instruments/instrument names

the number of people playing them and the way people learn to play them,

the classification of musical instruments, and

the differentiation between ‘true musical instruments‘ and other instruments.

Also see the article about the masamba ing’omba. This was a roaming group of three professional dancers in the beginning of the previous century.

Conclusion

Now we can compare the Chibale situation with the variety of musical instruments in Zambia. Taking into account all the instruments existing and remembered, we find quite some variety in the musical instruments in Chibale. When we only consider the instruments still played, there is less variety.

Footnotes

  • 1
  • 2
    The research for the articles about musical instruments is presented in Ways of working for description.
  • 3
    Also in Nurse (1970:34f) for the Chewa region.
  • 4
    See the text of the 38th song brought at the Ipupo at banaNshimbi‘s for the use of -limba, in the word kambalimbe, in this sense.

IJzermans, Jan J. (2024) Amalimba. Music and related dance, text and ritual in a single area in Africa. https://amalimba.org/musical-instruments-zambia-chibale/

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