Shemu Mambwe
Shemu Mambwe of the Ngoma (Drum) clan was born in 1947. He lived in Masaninga ward, some 40 kilometres north of Chibale village. His parents and he himself, as a child, were Jehovah’s Witnesses. In 1966 he became ill and went to clinics and hospitals but to no avail. He remained sickish and, finally, in 1979 dared to visit a shing’anga who gave him medicine.
He turned out to be Ciwila possessed by the spirit of his mother, banaNgosa, who had not sung or danced when she was alive1Kansenkele‘s possession looked much like that of the ing’omba of old, even though the ing’omba of older generations often got possessed by the spirits of deceased ing’omba. The illness was not at the centre of the attention but the bringing of new song texts, an art for which they were invited in a large area. The coming of Mwami led to a resurgence of Ciwila possession, not only in Mwami-led cults of affliction but also in a new form of ing’ombaship for the older cults.. The first song came to him in a dream. After that songs would come in dreams and at Ipupo. All songs had new texts because “every occasion asks for another text”. Other messages from the spirits he received were about coming events and medicine that could help him. This spirit brought one musango the chorus line of which started, at that time, with Ne kansenkele: I who do the kansenkele, a certain dance movement. From this his possession name Kansenkele arose. He started visiting Cililo and Ipupo and soon people started to invite him and the area in which he would dance grew. Later he also danced at shows and certain chiefly occasions like the installation of a chief. In the beginning he danced some 20 times a year. This meant travelling to the place, dancing all night, for 10 hours, often being the only dancer, and then travelling back again. He did not mind “because that’s how I get treated”.
His first wife, banaChibuye, also called Kalilele, was his helper in singing (kampenga) and greatly contributed to his success by her skills. When visiting them two weeks after an Ipupo at which she also had been the helper of the only other Ciwila medium, Bola, dancing there, she managed to reproduce all 92 song texts brought by Kansenkele and Bola.
Photo 239 ∵ Shemu Mambwe
Shemu Mambwe sitting on the ground in the nsaka at his farm, 1981.
In February 1985, after a period of illness, a second spirit turned out to be possessing him, Meli, also called banaChibuye, the spirit of his first wife’s deceased sister, using a new musango in which the name ‘Meli’ or ‘banaChibuye’ was always used. When visiting new areas he brought a team of four people to help in teaching the chorus of this new musango.
Photo 240 ∵ Kampenga of Kansenkele
BanaChibuye teaching a song just brought by Kansenkele to the audience/chorus at the Ipupo lya fikankomba, 1985.
Kansenkele’s songs were often copied by other possessed, especially in more distant areas. “I do not react when they bring my songs, exactly the same or slightly changed. I count on the people present to know and to have a low opinion of that person”. The copyright was guaranteed by the ludicrousness of the copyist or by the distance the copyist had to the original.
Kansenkele’s first wife died in 1996. He died two years later by the hand of the ex-husband of his third wife.
Footnotes
- 1Kansenkele‘s possession looked much like that of the ing’omba of old, even though the ing’omba of older generations often got possessed by the spirits of deceased ing’omba. The illness was not at the centre of the attention but the bringing of new song texts, an art for which they were invited in a large area. The coming of Mwami led to a resurgence of Ciwila possession, not only in Mwami-led cults of affliction but also in a new form of ing’ombaship for the older cults.